Using a gravely voice with 6’5″ frame, he was an all natural choice to try out the title function within the Candyman horror film franchise. His portrayal of Reverend Zombie in Hatchet and Hatchet II brought him extra popularity. After graduating university, he studied on the Eugene O’Neill Movie theater Center. On tv he performed the long-lost sibling of Lt. Worf on Superstar Trek, and acquired a recurring function over the legal play Boston Community. His sister Monique Dupree was regarded the first dark Scream Queen. One of is own earliest assignments was as Sgt. Warren within the Oliver Rock film, Platoon.
Full Name Tony Todd
Date Of Birth December 4, 1954
Place Of Birth Washington, DC
Height 1.96 m
Profession Movie Actor
Education University of Connecticut, Eugene O'Neill Theater Center
Nominations Helen Hayes Awards for outstanding Supporting Performer, Visiting Production
Movies Candyman, Final Destination 5, Final Destination, Night of the Living Dead, Candyman: Farewell to the Flesh, Hatchet, Final Destination 2, The Crow, Platoon, Hatchet II, The Man from Earth, Wishmaster, Transformers: Revenge of the Fallen, The Rock, Sushi Girl, Candyman 3: Day of the Dead, Final Destination 3, Shadow: Dead Riot, Murder-Set-Pieces, Control Factor, Lean on Me, The Prophecy: Forsaken, Sleepwalk, Shadow Builder, The Graves, True Women, Babylon 5: A Call to Arms, Beastmaster III: The Eye of Braxus, Black Fox, Scarecrow Slayer, The Strange Case of Dr. Jekyll and Mr. Hyde, Voodoo Dawn, The Secret, Dark Reel, Bryan Loves You, Excessive Force, Shadow Puppets, The Pandora Project, 84 Charing Cross Road, Caught Up, The Eden Formula, Black Fox III: Good Men and Bad, iMurders, Changing the Game, Nite Tales: The Movie, Bird, Tournament of Dreams, Black Fox II: Price of Peace, Are You Scared 2, The Dogwalker, Heart of the Beholder
TV Shows Transformers: Prime, 24, True Women, Black Fox, Splatter, Battle Force: Andromeda
Best Male Vocal Performance in a Television Series in a Supporting Role - Action/Drama
Transformers Prime (2010)
Fangoria Chainsaw Awards
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(On shooting The Prophecy: Forsaken (2005) in Romania) It wasn't a great experience for me. I didn't like Romania. It was right after the wall came down, and you got wild dogs roaming the street, and everybody's a Gypsy. Everybody's related to Dracula. It was seven weeks there. I just got tired. And I think the whole time, I only saw one other African-American there. Yeah... I was homesick.
(2010 -- on landing Candyman (1992)) I had just done a film where I had gone to Africa for the first time, so I was all into that. Then I get a call one day, I was getting a lot of work at this point, a lot of television, we were booking easily twice a month, but I didn't know I was successful yet, because I was worried about my little baby. Anyway, I get a call from my agent saying "This director wants to see you, wants to just meet you about this movie called Candyman (1992)." I thought he was fucking joking. I mean, what is that? A Sammy Davis thing? What is that? He said, "No no no. They won't give us the script, but they said it's a major studio film, and they want to just meet you." I said, "Okay." And I met Bernard Rose, who's a crazy maniacal Englishman who had a habit of twisting his hair between his fingers. He said, "I saw your film that you did in Africa, and you're my guy. The only problem is, we got to convince the studio." So I knew I had his blessings, and he slipped me a copy of the script. I read it, and word leaked out to me, it was the whole thing of the urban mythology, and the fact that this was a possibility of an African-American, I don't know, icon, but a horror figure. 'Cause I was heavy into the whole Dracula, Phantom of the Opera thing. I had to do what they call a "Personality Test," where I had to go to the studio at literally 8 in the morning, in front of a bunch of suits, and display whether I had a personality. So I did my best not to spill the coffee or insult them, and at the end of it, I heard they didn't think I had a personality. They said, "Well, we don't know if he has personality, but if you believe that he can do the film... Okay... Are you sure? He said, "Yeah. That's the guy." And then the last hurdle was meeting Virginia Madsen, who's from the Chicago area, and she just had it in her contract that she had to sign off on me. Then we met, went to lunch, and she said "Yes," and that was it. And I remember we came here to Chicago, and it was my first time in Chicago, we went to the Kingston Mines, me and Bernard, listening to some great blues. Keith Richards stopped by that night, and he was just saying, "This role is going to change your life." And at the time, I'm going "Okay, I've heard this before. I've done some things. I've had some life interruptions, but change my life? I'm going to do the best I can, but I don't know if your ego is stating that this is going to change my life." But in fact, he was right, because not a day goes by, to this day, 17 years later, without people, I mean multiple people, coming up and saying "Candyman!" Which amazes me, because usually film does not have that much of an attention span.
Night of the Living Dead (1990)' was my first starring role. First lead. And I remember I was in Pittsburgh doing something for HBO/Showtime-they were merged at the time, and I remember watching the original at a drive-in, and being really impressed that a) you had a black actor on screen played by Duane Jones, who was carrying the movie, and b) it was genuinely scary. You had the black-and-white, and it looked like a documentary. So I ran into the office-I found the production office-and I grabbed [director]Tom Savini by his lapels, literally, and said, "You got to read me. You got to read me." He tried to tell me I was close, I said, "You got to read me." And I just laid it out, and he gave me the job that day. So that was important for me. Later, my son was born too, during that, and that was significant.
It's very interesting that most of the roles I've gotten are grim, when I'm actually a very well-adjusted man and had a happy upbringing. I guess there are some dark shadows somewhere in there, but I'm a big kid.