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Leslie Howard

Biography

He became referred to as Ashley Wilkes in Gone Using the Blowing wind, and appeared in lots of acclaimed films from your ’30s, like the Petrified Forest. His additional credits consist of Of Human being Bondage, Intermezzo, and Berkeley Square. He worked well as a lender clerk and offered in the English Army during Globe Battle I. Conspiracy theorists possess recommended that he was dealing with English or Allied Cleverness during World Battle II, that they believe resulted in his airliner becoming shot from your sky in 1943. His child Ronald performed Sherlock Holmes in the ’50s Television series, Sherlock Holmes. He starred with Clark Gable in the 1939 traditional, Gone Using the Wind.

Quick Facts


Full Name Leslie Howard
Date Of Birth April 3, 1893
Died June 1, 1943, Bay of Biscay
Place Of Birth England
Height 1.79 m
Profession Movie Actor
Education Alleyn's School, Dulwich College
Nationality English, British
Spouse Ruth Evelyn Martin
Children Ronald Howard, Leslie Ruth Dale-Harris
Parents Ferdinand Steiner, Lilian Blumberg
Siblings Arthur Howard, Irene Howard, Jimmy Howard, Dorice Howard
Awards Volpi Cup for Best Actor
Nominations Academy Award for Best Actor
Movies Gone with the Wind, "Pimpernel" Smith, The Petrified Forest, Pygmalion, Of Human Bondage, The Scarlet Pimpernel, Intermezzo, The Animal Kingdom, The First of the Few, It's Love I'm After, Romeo and Juliet, British Agent, 49th Parallel, Berkeley Square, Outward Bound, Smilin' Through, A Free Soul, Never the Twain Shall Meet, The Gentle Sex, Stand-In, Service for Ladies, The Lamp Still Burns, In Which We Serve, Five and Ten, The Lady Is Willing, Devotion, Captured!, Secrets, The Heroine of Mons, The Lackey and the Lady
Star Sign Aries

  • Facts
  • Filmography
  • Awards
  • Salaries
  • Quotes
  • Trademarks
  • Pictures

#Fact
1In the parallel universe featured in Quest for Love (1971), Howard was still alive and still acting in 1971 as World War II never occurred.
2Self-described laissez-faire Liberal and Democrat.
3With Adrian Brunel, founded production company Minerva Films.
4On February 24th 1920, he changed his name from Leslie Howard Steiner to Leslie Howard, by deed poll, which was enrolled in the Central Office of the Supreme Court of Judicature on March 3rd 1920.
5Leslie's father, Ferdinand "Frank" Steiner, was born on April 28th 1862 in Szigetvar, Hungary, to Cacilie Bodansky and Berthold Samuel Steiner, who were both Jewish, and subjects of Austria. Leslie's mother, Lilian (née Bloomberg), was English. Lilian's own paternal grandfather, Ludwig Alexander George Blumberg, was a German Jewish immigrant, while Lilian's other grandparents were all of English origin.
6Leslie first began writing when he was at Mr Bolland's prep-school in Upper Norwood (England). One Christmas term a play was performed by the schoolboys at Mr Bolland's, written by Leslie -- in Latin, of all things -- at the age of thirteen.
7In August 1936, Leslie canceled airplane reservations from Hollywood to New York because an astrologer told him it would be unlucky to fly that week.
8Among other illnesses during his long career, he had laryngitis in May 1924 & December 1930, appendicitis May 1928, and an infected knee in July 1935.
9According to a story in the "Southeast Missourian" newspaper, Howard could be a difficult man to track down, wandering off the set between takes. One day Tay Garnett, while directing Stand-In (1937), finally had several men look for him when he could not be found; they found him and, with the gentleness due a star, tied him up, clapping leg irons on him. Garnett put him on "probation", but gave Howard a cowbell and ordered him to bong the bell when on a stroll. It wasn't long before a scene was ready for shooting, but, again, no Howard. Soon enough they heard the cowbell, though, in a distant corner of the sound stage up in the catwalks. Converging on the sound, they found only the bell with a string attached. They traced the string over rafters back to the lighted set where "Stand-In" was suppose to be shooting. There sat Howard, yanking at the string, plaintively indignant about the absence of director Garnett.
101939 'Reading Eagle' newspaper purported Howard was a "buttermilk addict.".
11In 1936 attended as keynote speaker an American Foundation for the Blind (AFB) reception to promote Talking Book machines.
12Got into a blackout automobile accident in the winter of 1939. Howard's jaw was fractured, three front teeth broken, and his forehead and chest were injured.
13Leslie was in a relationship with Violette Cunnington from 1938 until her death in 1942 of cerebral meningitis.
14Disclosed in 1944, Leslie Howard left an estate totaling $251,000. The majority was held in trust to his widow, son and daughter. Howard had also left a Beverly Hills home to his secretary, Violette Cunnington (with whom he was rumored to be having an affair), but she had died six months before his own death.
15On board his fated plane was Quirinus Tepas (pilot), D. de Koning (second officer), Cornelis van Brugge (radio operator), Engbertus Rosevink (flight engineer); also Francis German Cowlrick (elderly engineer), Wilfrid Jacob Berthold Israel (British Secret Service agent), Gordon Thompson Maclean (British Foreign Office), Ivan James Sharp (mining engineer; specialist in tungsten), Tyrell Milmay Shervington (Lisbon manager of Shell-Mex Corporation), Kenneth Stonehouse (Washington correspondent for Reuters), Evelyn Stonehouse (wife of Kenneth Stonehouse), Cecilia Amelia Falla Paton (on way to secretarial job at a consulate in England), Rotha Violet Lettie Hutcheon (mother of Carola and Petra), Petra Hutcheon (11 years old), Carola Hutcheon (2 years old), and Alfred Tregear Chenhalls (his business manager and traveling companion).
16In 1934, he accepted the Oscar for "Best Actor in a Leading Role" on behalf of Charles Laughton, who was not present at the awards ceremony.
17His death was mentioned in the World War II film Bright Victory (1951).
18Humphrey Bogart was so grateful at Howard's insistence that he repeat his stage performance in the film of The Petrified Forest (1936), the role that proved to be his big break in movies, that he named his daughter Leslie in Howard's honor.
19Uncle of actor Alan Howard.
20Father of Leslie Ruth Dale-Harris (1924-2013). At 17 years old, she married Robert Dale-Harris, a chartered accountant. They lived in Toronto, Canada, with three children. In 1960 she published a biography of her father, "A Quite Remarkable Father".
21Nephew of director Wilfred Noy.
22Oldest of five siblings: Dorice Howard; casting director Irene Howard; Jimmy Howard; and actor Arthur Howard.
23Father of actor Ronald Howard, who appeared with him in 'Pimpernel' Smith (1941).
24Was on board Flight #777 of KLM Royal Dutch Airlines--a 1936 Douglas Aircraft «Isis»--with four crew members and 12 other passengers on a regular flight from Bristol to Lisbon when it was shot down by German fighter planes over the Bay of Biscay.


Actor

Actor

TitleYearStatusCharacter
The Gentle Sex1943'Observations of a Mere Man' spoken by / Narrator (voice)
In Which We Serve1942Narrator (voice, uncredited)
Spitfire1942R.J. Mitchell
49th Parallel1941Philip Armstrong Scott
'Pimpernel' Smith1941Professor Horatio Smith
Common Heritage1940ShortNarrator (voice)
Gone with the Wind1939Ashley - His Son
Intermezzo: A Love Story1939Holger Brandt
Pygmalion1938Professor Henry Higgins
Stand-In1937Atterbury Dodd
It's Love I'm After1937Basil Underwood
Romeo and Juliet1936Romeo - Son to Montague
The Petrified Forest1936Alan Squier
The Scarlet Pimpernel1934Sir Percy Blakeney
British Agent1934Stephen 'Steve' Locke
The Lady Is Willing1934Albert Latour
Of Human Bondage1934Philip Carey
Berkeley Square1933Peter Standish
Captured!1933Captain Fred Allison
Secrets1933John Carlton
The Animal Kingdom1932Thomas 'Tom' Collier
Smilin' Through1932Sir John Carteret
Reserved for Ladies1932Max Tracey
Devotion1931Trent
Five and Ten1931Berry Rhodes
A Free Soul1931Dwight Winthrop
Never the Twain Shall Meet1931Dan
Outward Bound1930Tom Prior
Bookworms1920ShortRichard
Five Pounds Reward1920ShortTony Marchmont
The Lackey and the Lady1919Tony Dunciman
The Happy Warrior1917Rollo
The Heroine of Mons1914Short

Producer

Producer

TitleYearStatusCharacter
The Lamp Still Burns1943producer
The Gentle Sex1943producer
Spitfire1942producer
'Pimpernel' Smith1941producer
Intermezzo: A Love Story1939associate producer
The Temporary Lady1921Short producer
Too Many Cooks1921Short producer
Bookworms1920Short producer
Five Pounds Reward1920Short producer
The Bump1920Short producer
Twice Two1920Short producer

Soundtrack

Soundtrack

TitleYearStatusCharacter
'Pimpernel' Smith1941"There's A Tavern in the Town", uncredited
Intermezzo: A Love Story1939performer: "Intermezzo" 1936
Stand-In1937performer: "That Old Feeling" 1937 - uncredited
The Scarlet Pimpernel1934"God Save the King!" 1744, uncredited
Berkeley Square1933performer: "John Brown's Body" - uncredited

Director

Director

TitleYearStatusCharacter
The Gentle Sex1943
Spitfire1942
'Pimpernel' Smith1941
Pygmalion1938

Writer

Writer

TitleYearStatusCharacter
From the Four Corners1942Short

Self

Self

TitleYearStatusCharacter
War in the Mediterranean1943Documentary shortNarrator (voice)
The White Eagle1942Documentary shortNarrator (voice)
From the Four Corners1942ShortHimself (as A Passer-By)
Breakdowns of 19361936ShortHimself
Hollywood on Parade No. B-131934ShortHimself

Archive Footage

Archive Footage

TitleYearStatusCharacter
Leslie Howard: The Man Who Gave a Damn2016DocumentaryHimself (uncredited)
Diálogos de cine2008TV MovieSir Percy Blakeney The Scarlet Pimpernel
Waiting for Hockney2008DocumentarySir Percy Blakeney The Scarlet Pimpernel
Why Be Good? Sexuality & Censorship in Early Cinema2007DocumentaryHimself
Broadway: The American Musical2004TV Mini-Series documentaryProfessor Henry Higgins (in 'Pygmalion')
Complicated Women2003TV Movie documentaryHimself (uncredited)
Omnibus2001TV Series documentaryHimself
Film Breaks1999TV Series documentary
Glorious Technicolor1998TV Movie documentaryHimself
The Silver Screen: Color Me Lavender1997DocumentaryHimself
Bogart: The Untold Story1996TV Movie documentaryActor in 'The Petrified Forest' (uncredited)
Biography1994TV Series documentary
The Making of a Legend: Gone with the Wind1988TV Movie documentaryHimself - Cast Member in 'Gone with the Wind'
South of Reno1988Clip from 'Of Human Bondage' (uncredited)
Going Hollywood: The '30s1984Documentary
Ingrid1984DocumentaryHimself, clip from 'Intermezzo' (uncredited)
Hollywood Out-takes and Rare Footage1983DocumentaryHimself (uncredited)
The British Greats1980TV SeriesHimself
Hollywood: The Selznick Years1969TV Movie documentaryActor 'Intermezzo' (uncredited)
Hollywood My Home Town1965DocumentaryHimself
MGM Parade1955TV SeriesDwight Winthrop in 'A Free Soul'
Some of the Best1943DocumentaryDwight Winthrop in A Free Soul (uncredited)

Won awards

Won awards

YearAwardCeremonyNominationMovieAward shared with
1960Star on the Walk of FameWalk of FameMotion PictureOn 8 February 1960. At 6550 Hollywood Blvd.
1946PrizeLocarno International Film FestivalMost Entertaining Film'Pimpernel' Smith (1941)
1938Volpi CupVenice Film FestivalBest ActorPygmalion (1938)

Nominated awards

Nominated awards

YearAwardCeremonyNominationMovieAward shared with
1939OscarAcademy Awards, USABest Actor in a Leading RolePygmalion (1938)
1938Mussolini CupVenice Film FestivalBest Foreign FilmPygmalion (1938)· Anthony Asquith
1934OscarAcademy Awards, USABest Actor in a Leading RoleBerkeley Square (1933)

TitleSalary
49th Parallel (1941)£2,000 (for 2 weeks)

#Quote
1The truth is that to enjoy acting one must be an exhibitionist at heart, one must revel in those exposures of the emotions which would be agonizing to a shy or reserved person. All the great actors have been and are exhibitionists. It is easy and pleasurable for them to shout, to weep, to tear their hair, to laugh, to make love. They enjoy it and they make their audience enjoy it. They are the ideal actors. As a boy the possibility of being an actor never even occurred to me. Nor could it have occurred to anybody who knew the shy and inarticulate youth that I was. I wanted to write. I felt I could express myself on paper; alone in a room I felt articulate and creative. But I was also lazy, a thing a writer never dare be. Application is, I am convinced, the first rule for authors. Then, mysteriously, a part in a play offered itself -- at time when to earn a living was a prime motive of existence. And then another part in another play. And gradually the miracle took place. The metamorphosis of a nervous, inhibited, agoraphobic individual who had other ambitions altogether into a quite successful actor.
2[July 1933] I can't think of anything more exciting than trying to be an actor.
3[July 1932 interview with Schenectady Gazette regarding persistent rumors of leaving film] Statements derogatory to talkies credited to me are absurd. I like movies and their potentialities. I think Hollywood is making definite strides forward when it produces a 'Grand Hotel' and a 'Strange Interlude'. The sole argument I have had with the producers concerned my own parts. I make my living by public approval of my work, and can hardly be blamed, I am sure, for having my own ideas as to the roles I can do best. That these differences are adjusted is indicated by my presence here. A great deal of the misunderstanding which has arisen comes from my recent departure from Hollywood. It was assumed that I would not be back. That is silly. I never expected to give up the stage, but never again do I plan to be on it exclusively. I intend to commute between New York and Hollywood as long as both mediums still want me. Any actor hates to leave the stage, for there he is supreme, the most important individual. On the screen he takes second place to the director. This is essential in the film art, and the actor agrees, but he can hardly be blamed, can he, for returning to his first love? I intend to return to the stage, periodically, believing that my experience in each medium will help me in the other. The screen gives me a lot of pleasure because of its peculiar and exclusive impressionistic power. Dialog, words, are all important on the stage. On the screen words are only part of a composite combination with visual factors which give remarkable effect different from those possible on the stage. In the small, routine, program pictures their appearance indicates the expansion we many expect of the screen art in coming years.
4I am a tremendous believer in the power of broadcasting. ... I don't believe anything is too good for the public. ... In my own experience I have proved that the cinema public is as ready to patronize the work of Bernard Shaw, the music of William Walton and film technique at its most subtle.
5In the love of a good woman you have everything, all the wonders of the ages, the brown skinned girls who inflame your senses with their play; the cool, yellow-haired women who entice and escape you; the gentle ones who serve you; the slender ones who torment you; the mothers who bore and suckled you;--all women whom God created out of the teeming fullness of the earth are yours in the love of one women.
6I looked around for some kind of contribution I could make -- some kind of war work I could do. For a long time it was very difficult. There were millions of fellows about my age all looking for the same thing. Desperate, I went to see Duff Cooper and asked him if I should go back in the army. I was in the Northamptonshire Yeomanry in the last war. It's mechanized now, but I daresay I could polish a tank as well as groom a horse. He said, "You should stick to your own job. I think you can be more useful at that. And gradually I have, so to speak, fallen on my wartime feet.
7Don't think I am not homesick for America. I say 'homesick' advisedly because I am a man with two homes -- America, which gave me hospitality for many happy years, and where my daughter was born; and my native England.
8Britain's destiny, on the other hand, has been to uphold tolerance in religion, thought, speech, and race--the mainspring of democracy. We have still far to travel on the road to true democracy, but only the Germans have made no progress in this direction. Britain, with her great gifts and strange inconsistencies had helped populate five continents and shown that the white man and the colored man can live in peace together. We have also taken the Roman ideal of just administration, the Greek ideal of democracy and freedom of art, and the French tradition of the family unit, along with the Norse courage and loyalty and the Christian faith. Like all people, we have made some mistakes and have committed some crimes during our history, but we can say that we have built something worthy of our defense. We can look at our record without shame.
9What the actor is in private life, he is to a large extent on the stage, because he cannot conceal himself and his true personality from his audience.
10I feel the pressure from other people coming at me. When shots don't fall for one person I think it is a domino effect.
11I hate the damn part. I'm not nearly beautiful or young enough for Ashley, and it makes me sick being fixed up to look attractive.
12[Describing one of his Gone with the Wind (1939) costumes]: I look like that sissy doorman at the Beverly Wilshire, a fine thing at my age.


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