Award-winning Spanish flamenco dancer and choreographer known for his amazing dancing guidelines and complicated footwork. He continues to be called groundbreaking, avant-garde along with a genius for his build. By enough time he changed 5, he started dancing along with his dad within the flamenco membership La Trocha in Seville. In 1994, he became a member of the renowned Dance Business of Andalusia, that was aimed by flamenco influencer Mario Maya. He developed his very own dance business in 1998. His initial function was Mira Los Zapatos Rojos. He provides won several best flamenco awards, like the Flamenco Hoy Critics’ award for Greatest Dancer of the entire year in 2001 and 2005, and Spain’s Country wide dance award Premio Ciutat de Barcelona in 2008. He was created and elevated in Seville to parents José Galvan and Eugenia de los Reyes, who have been also flamenco dancers. He performed a flamenco version of Franz Kafka’s Metamorphosis.
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|Flamenco, Flamenco||2010||Documentary performer: "Silencio"|
|¡Atención obras!||2014-2015||TV Series||Himself|
|XVIII Premios Max de las artes escénicas||2015||TV Special||Himself - Winner: Best Male Dancer|
|Más allá del Flamenco||2014||Documentary||Himself|
|Mi reino por un caballo||2010-2012||TV Series||Himself|
|Miradas 2||2010||TV Series documentary||Himself|
|Israel Galván: L'accent andalou||2009||TV Movie documentary||Himself|
|X premios Max de las artes escénicas||2007||TV Special||Himself|
|Enrique Morente sueña la Alhambra||2005||Documentary||Himself|
|Flamenco||1995||Documentary||Dancer: Grupo de Baile Mario Maya|
|XV edición de los Premios Max de las artes escénicas||2012||TV Special||Himself|
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|1||My mother danced while she was pregnant, and already I was dancing in the womb. So it is that I always remember dancing, whether with my father or my mother, but it wasn't a game for me.|
|2||I'm very inspired by the cinema - in the gestures. For example, the films of [Pier Paulo] Pasolini influenced me - working on gesture, which is about talking. And afterward, well, I became very interested in the movements of the camera such as [Stanley] Kubrick uses. I like to to try to have the spectator's eye and, as if they were camera shots, draw it to different parts of the body.|
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